The brief asked for a bottle that would survive a six-column page and a twenty-second loop without looking like two jobs. We locked the north window on Rúa do Príncipe before we rolled, and we turned the bottle on tethered stills until the highlight was a decision.
The loop is the same tabletop. No second key, no steam stock, no sunset grade on oil that was shot at noon.
Delivery: retouched stills, a Rec.709 master, 1:1 and 9:16. Six months later the agency versioned two more crops from the same files.