Harbour
A walk on the granite and a one-page note of what must print and what must move. If the still needs a modifier that will not travel into coverage, we split the day on paper, not on set.
The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.
A walk on the granite and a one-page note of what must print and what must move. If the still needs a modifier that will not travel into coverage, we split the day on paper, not on set.
One plot for stills and motion. No second lighting truck, no second white. Gels and diffusion are named before the van leaves Rúa do Príncipe.
Tethered review before the cloud moves. Selects are made while the key still exists. We do not hope the card will save a frame nobody saw.
Cool without going dead. Skin and granite share a decision. The show LUT is the stills LUT, written in pre-production, not guessed after picture lock.
Masters labelled for print, Rec.709, 1:1 and 9:16. An archive another editor can open without a phone call to Vigo.